Exhibition view
Exhibition view
Exhibition view
Yet to be titled
Yet to be titled (She, They) detail
Yet to be titled (He, They) detail
Future Landscape IV (Plattenbau), 2023 UV print PVC, Murano glass mosaic 60 x 60 cm
Future Landscape V (Post-humans), 2023 UV print on PVC, Murano glass mosaic 130 x 90 cm
Future Landscape III (Skyscraper), 2023 UV print PVC, Murano glass mosaic 60 x 40 cm
Future Landscape II (Silhouette), 2023 UV print PVC, Murano glass mosaic 62 x 41 cm
Future Landscape I (Dessau), 2023 UV print PVC, Murano glass mosaic 44 x 60 cm
Exhibition view
Exhibition view
Space Travel Device (Orange), 2023 detail steel, ceramic tiles, Murano glass mosaic 180 x 40 x 40 cm
Space Travel Device (Orange), 2023 steel, ceramic tiles, Murano glass mosaic 180 x 40 x 40 cm
Space Travel Device (Orange), 2023 steel, ceramic tiles, Murano glass mosaic 180 x 40 x 40 cm
Space Travel Device (Blue), 2023 detail steel, ceramic tiles, Murano glass mosaic 180 x 40 x 40 cm
Space Travel Device (Blue), 2023 steel, ceramic tiles, Murano glass mosaic 180 x 40 x 40 cm
Space Travel Device (Blue), 2023 steel, ceramic tiles, Murano glass mosaic 180 x 40 x 40 cm
Space Travel Device (Orange), 2023 steel, ceramic tiles, Murano glass mosaic 180 x 40 x 40 cm
Space Travel Device (Orange), 2023 steel, ceramic tiles, Murano glass mosaic 180 x 40 x 40 cm
Exhibition view

2023: Corps Orbite

Grotto Gallery, Bucharest
9 December 2023 – 12 January 2024

Vlad Nancă proposes a new series of works that continue his older interests and working methods, such as the colonization of space and research of 20th century architectural archives. His work is positioned at the intersection of contemporary and decorative art languages. Two sculptures with an aura of functionality become portals to a possible colonised planet, where architectural modernism is given a new chance.

Posthuman figures derived from scale models in architectural sketches from the 1990s recall the legend of human sacrifice in construction and at the same time place us at into the future an uncertain distance from the present.

Thus, Grotto becomes a diorama through which the artist encourages a re-evaluation of our relationship to the planet, ecosystems and the built environment, reflecting the teachings of modernism in light of the current climate emergency. The suggestion of relocation to a new cosmic context expresses, in reality, a desire to give our planet a new chance.

[The title of the exhibition is a line borrowed from Ilse Garrnier’s 1979 concrete poem “Blason du corps féminin”]