Vlad Nancă
Vlad Nancă
Vlad Nancă
News
About
Selected Works
Selected Exhibitions
Publications
Editions
2024: Coupled Columns
2023: Space Travel Devices
2023: Yet to be titled
2023: Future Landscape I, II, III, IV, V
2023: Self Portrait
2023: Coupled
2022: Future
2022: 3 Planets and 4 Comets
2022: Future Perfect
2022: Touch (12th Century)
2022: Touch (20th Century)
2010 – 2020: Recovery
2020: The Merger of the Room Space with the Exterior Space
2019: Time Travel
2019: Map of the World
2019: Dialogue
2019: Vis a vis
2019: Original Adidas
2019: The City and the City and the Freedom Artist
2018: Vacuum
2018: Signs (the separation of modernism from functionalism)
2018: Resurfaced
2018: Colonisation of Space (After Fedorov)
2018: Continuous Columns
2018: In the Natural Landscape the Human is an Intruder (no parking sign)
2018: UN CHAMP STELLAIRE
2018: Sculpture of to-day
2018: Gaze into the Abyss
2018: The Gifts of Science
2018: Silhouettes
2018: Together Again
2017: Finally Together
2017: Endless
2015: Offerings
2015: Nebula
2015: Twelve Circles
2015: Up and Down
2015: White Cube
2015: White on White
2014: Plant Mobile
2014: Nadia
2014: Souvenir
2013: Home Sweet Home
2013: Bucket I, II
2010: Tripod on Wheels
2010: Concrete Bag on Wheels
2010: Portal
2009: Hyphen
2009: Commemora
2008: Funeral Wreaths
2007: I Love Shopping!
2006: Dream of Bucharest
2005: Holly Grill
2005: Terrorist Balloon
2004: Proposal for the National Redemption Cathedral
2003: Dacia: 30 Years of Social History
2003: I Don’t Know What Union I Want to Belong to Anymore
2003: Original Adidas
